
Brenda Jones | The Things She Learned
The Things She Learned
This series of ceramic hollow form dress sculptures focuses on things the anonymous “she” learned growing up. I am interested in the ways that learned gender roles play out in our culture and society. I grew up in the 1960s when the reading textbooks in elementary school portrayed girls in pretty, frilly dresses playing house and/or watching the boys roughhousing outside. These “Jack and Janet” books never specifically wrote about gender roles but did leave images in the mind of how girls should look and behave. The girls were often the pretty and fragile objects in the background.
My apron and dress forms reflect stories of women, things they know, anonymous and nostalgic narratives. When we talk to young girls we often start a conversational pattern that continues into adulthood. We say things like, ‘That’s a very pretty dress,’ ‘you look so cute in that outfit,’ or ‘your hairstyle is so cute.” As adults, women often address each other with phrases like, “You look great, have you lost weight?” So, the dresses are an acknowledgment of our conversations while also asking us to examine the things we teach and learn without thinking about it. The things she knows goes beyond just domesticity and looking pretty.
These pieces are low fire clay finished with underglazes, glaze, or layers of encaustic and pigment. The hollow forms are hand-built and cut into. This surface imagery is meant to be decorative and nostalgic with a narrative that can be interpreted in various ways.
-Brenda Jones
The Things She Learned
Brenda Jones Artist Talk
Brenda Jones
Brenda Jones is a contemporary sculptor who lives and works in South Fork, CO. She grew up in southeast Kansas in the 1960s and her work pays homage to the gender roles embedded in that time period and rural Midwest American town. Her sculptures are typically ceramic dress forms with narrative imagery on the surface that appears nostalgic and delicate while at the same time critiquing traditional women’s roles or expectations. Jones states, “I tell stories in my work and I invite you to interpret these on various levels as you take the visual journey.”
As an elementary school student, she found it lucky to be able to trade her drawings in school for answers to homework and continued her interest in art in high school where she was mentored by a Japanese art teacher. Taking advice from her teacher, she earned a Bachelor’s of Art Education at Wichita State University as well as a Master’s of Art in Art History and Ceramics. She has taught these subjects in both Kansas and Colorado.
Jones’ artwork has been shown in exhibits across the U.S. She has won Best of Show in several exhibits and has received scholarships to study at the School of the Art Institute in Chicago, Anderson Ranch in Aspen, and Fulbright travel studies to Argentina and Japan. Most recently she was a short-term ceramics resident at Red Lodge Clay Center in Montana. She currently serves on the Creede Arts Council and is represented by Strecker-Nelson gallery in Manhattan, KS, City Arts in Wichita, KS, and Abbey Lane Gallery in Creede, CO.